Afronauts: A Visually Captivating Space Dream
SHORT REVIEW
RATING: 7.5/10
1 min read
Afronauts, the 2014 science fiction short film by Ghanaian filmmaker Nuotama Bodomo, is an evocative and imaginative work that blends alternate history with Afrofuturism in stunning ways. Inspired by the real-life Zambian space program of the 1960s, the film follows a group of Zambian dreamers who strive to beat the United States to the moon. The film centers around Matha, played with grace and strength by Diandra Forrest, an albino girl who is being trained to become the first African woman in space.
What makes Afronauts so powerful is not just its story but its poetic and visually rich presentation. Bodomo’s choice to shoot in striking black-and-white lends the film a timeless and otherworldly quality, capturing the rawness of its characters' ambition while infusing the narrative with a mythic sensibility. The minimal dialogue and dreamlike pacing invite viewers to engage with the film on a more symbolic and emotional level, allowing the themes of hope, marginalization, and the desire to transcend imposed limitations to fully sink in.
Forrest’s performance is mesmerizing. Her quiet strength and wide-eyed wonder convey the internal conflict of someone both celebrated and objectified for her uniqueness. The film subtly touches on race, disability, and gender without being didactic, letting visuals and tone speak volumes. The use of sound design and ambient score adds to the ethereal mood, making it feel more like a visual poem than a conventional sci-fi short.
Afronauts’ open-ended conclusion may leave some viewers searching for closure, but others will find its ambiguity refreshing and thought-provoking. It challenges the viewer to reflect on the price of dreams, the absurdity of borders, and the power of imagination in a world defined by colonial legacy and technological dominance.
Though just 14 minutes long, Afronauts makes a lasting impression. It's a tribute to dreamers, misfits, and all those who dare to reach for the stars, even when the world insists they stay grounded. It's a visual and emotional triumph that deserves more attention in conversations about science fiction and African cinema.