Frankenstein: A Beautifully Crafted but Uneven Tale

The opening scene of Frankenstein is absolutely captivating, immediately pulling you into Guillermo del Toro’s dark, imaginative world. Both Oscar Isaac and Jacob Elordi completely steal the spotlight with their commanding performances. Every actor delivers with conviction, and the production design is nothing short of breathtaking—detailed, atmospheric, and undeniably Del Toro. The film’s haunting aesthetic and emotional undercurrent echo some of his finest work, with moments that recall Pan’s Labyrinth and The Shape of Water.

The first half of the film, focusing on Frankenstein himself, is by far the most enjoyable. It’s intriguing, filled with wonder, and immerses you in the moral and emotional complexities of creation and obsession. Del Toro’s craftsmanship shines here—the pacing, tone, and visual storytelling are all perfectly balanced. However, the second half falters. Once the story transitions to the monster’s tale, the film loses its momentum and begins to drag. The shift in tone and pacing feels jarring, and by the time the story reaches its conclusion, the emotional impact that was carefully built early on starts to fade.

While Frankenstein remains a technically brilliant and heartfelt production, it’s uneven and far too long for its own good. The movie delivers memorable moments, strong performances, and stunning visuals—but it struggles to maintain the energy and intrigue of its first act. It’s an immersive story, yes, but one that feels better suited for streaming than the big screen.