Mami Wata: A Spellbinding and Stunning African Fantasy

Director C.J. Obasi crafts a hypnotic visual masterpiece with Mami Wata, a film that feels like stepping into a dream. Set in a fictional West African village, the story follows Mama Efe, a spiritual leader balancing tradition and change amidst political and social upheaval.

Visually, the film is extraordinary. The decision to shoot in black-and-white, courtesy of cinematographer Lílis Soares, is brilliant, highlighting skin tones beautifully and giving the story a timeless, otherworldly feel. Every frame feels like a moving painting.

The performances are powerful, particularly from Uzoamaka Aniunoh and Evelyne Ily. They bring depth and emotion to their roles, embodying themes of faith, power, and womanhood with grace and authenticity.

That said, Mami Wata leans heavily into the art-house genre, and its slow pace may not appeal to everyone. Some scenes linger longer than necessary, making the film feel stretched at times. But for those willing to immerse themselves, the film offers a transportive experience that feels both ancient and strikingly modern.